Las óleos de todo Charles Ricketts
|
|
|
|
|
|
ID |
Image |
Painting (From A to Z) |
Details |
|
88836 |
|
Charles Haslewood Shannon |
oil on canvas, (95 cm x 99 cm)
Date 1898(1898)
cyf |
|
25040 |
|
Projef de costume pour la Piece Judith (1919) aquarelle monogrammee (mk32) |
31.7 x 48.2 cm Coll Robin Duff Anc Charles Jerdein Londeres judith archetype de la femme fatale etait de meme que Salome un theme tres prise en particulier par les peintres symbolistes le dessin original de Ricketts Pour le costume de premier role Joue par McCarthy fut interdit par lord Chamberlain ayant ete juge indecent |
|
|
| Charles Ricketts
|
| 1866-1931
English painter, designer, writer and collector. He trained as an illustrator at the City and Guilds Technical Art School, Lambeth, London, where he met and formed a lifelong relationship with CHARLES HAZELWOOD SHANNON. He identified with the ideals of the Aesthetic Movement, finding inspiration in Renaissance art as well as in the French artists Gustave Moreau and Pierre Puvis de Chavannes. In 1888 he took over James Abbott McNeill Whistler's house, The Vale, in Chelsea and drew together an artists' colony. Inspired by the work of A. H. Mackmurdo and William Morris, he set up a small press over which he exercised complete control of design and production, producing art journals and books that included Oscar Wilde's A House of Pomegranates (1891) and The Sphinx (1894). Ricketts later designed founts, initials, borders and illustrations for the Vale Press (1896-1904), blending medieval, Renaissance and contemporary imagery.
|
|
|
|
Sweden Wholesale Oil Paintings, Stretcher Bars, Picture Frames & Beveled Mirrors
|
|
|
